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Posts Tagged ‘Pedestrian Bridge’


Our final day in Music City USA, and we planned to visit two MORE of its most iconic institutions – Historic RCA Studio B and the “mother church” of country music, the Ryman Auditorium.

Despite checking before we left home whether there would be a concert in the Ryman while we were in town, we only discovered as we got ready this morning, that Roger McGuinn of the Byrds was performing the album, Sweetheart of the Rodeo, which effectively prompted the phenomenon of country rock in 1968, at the Ryman that evening.

There appeared to be mixed messages online about whether there were any tickets left, and whether those that were available had restricted views. After much discussion, we decided to take our chances and ask at the box office when we arrived in town.

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Our RCA Studio B tour was not scheduled to start until 11.30am, which enabled us to call at the Ryman beforehand. We were told that while there were no tickets left, but we might wish to call back later to establish whether there were any returns. We decided at that point that we wanted to spend our last few hours in town absorbing the atmosphere a little longer.

After coffee in Cafe Lula, we made our way back to the Country Music Hall of Fame and Museum, from whence we boarded the shuttle bus to Historic RCA Studio B.

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Aside from Elvis, among the “1,000 Hits”, recorded at the studio were All I Have to Do is Dream and Cathy’s Clown by the Everly Brothers, He’ll Have to Go by Jim Reeves, Only the Lonely and Crying by Roy Orbison, Oh Lonesome Me and I Can’t Stop Loving You by Don Gibson, The Three Bells by The Browns and Coat of Many Colors by Dolly Parton.

Opened on Music Row in 1957, the studio received the RCA custom tube recording console two years later, enabling it to establish the Nashville Sound, home too to the most prestigious session musicians anywhere. It is Nashville’s oldest recording studio and continues to inspire modern artists such as Carrie Underwood and Martina McBride.

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Our enthusiastic, or rather manic, guide, George, recounted the history of the studio at great speed, leaping around while playing some of the most popular recordings made there.

Perhaps the most awe inspiring part of the tour was the opportunity to sit at the ebony finished Model B Steinway piano. Whilst, to a layman, it looked like any piano, this was a legendary artefact of musical history. Built in New York in 1942, it was sold to NBC a year later and made its way to RCA in 1957.

It had been Elvis’s favourite piano, bought for him by Priscilla. This was the piano that HE played when he wanted to record a song.

And, unlike, Graceland, we could actually TOUCH it! And, not just touch it, but SIT on it!

 

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For reasons I cannot now recall, our visit lasted twice as long as any other that day.

Continuing our tour of the live music bars on Broadway, we found ourselves next in Robert’s Western World, a far cry from the frenetic rocking establishments owned by modern country stars like Luke Bryan and Jason Aldean.

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John Shepherd, minus Lois at the time of our visit, had been playing Robert’s for more than forty years and had been a key figure in saving Broadway from the bulldozer when city officials seriously considered doing so.

Between his renditions of classic country songs, he was a gentle and engaging raconteur, an oasis of calm in the cacophony elsewhere on the street.

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The bar itself was a living museum too to country music history.

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It also served to remind us that time was running out for the most important decision to be made while we were in town.

To buy or not to buy new cowboy boots.

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But we had somewhere else to be first – the “mother church” of country music itself, the Ryman Auditorium on 5th Avenue.

Formerly home, between 1943 and 1974, to the Grand Ole Opry, and before that, the Union Gospel Tabernacle, this is hallowed ground. This is where bluegrass was born and Johnny Cash met June Carter.

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After an ingenious immersive journey through the Ryman’s history in the Soul of Nashville Theater Experience, we entered the 2,362 seat auditorium only to witness Roger McGuinn scuttling across the stage in preparation for soundcheck for this evening’s performance. At that moment, I seriously regretted not pursuing the search for tickets.

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Videos and display cases abounded around the corridors. As always, I was drawn to the Hank Williams’ exhibit.

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Porter Wagoner, lynchpin of the Grand Ole Opry, the man who introduced a young Dolly Parton to the world, and with whom he sang throughout the late sixties and early seventies, was represented by one of his notorious Nudie suits.

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The Ryman may not quite have given me the goosebumps that Sun Studio in Memphis achieved, but I can understand how venerated it is to country music enthusiasts, especially those who spent the forties and fifties sat around the family radio listening to the weekly broadcast from the Opry.

One of the locations we had promised ourselves to visit, having seen it flash by so often on the Nashville television show, was the John Seigenthaler Pedestrian Bridge over the Cumberland River.

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The bridge connects downtown to the residential suburbs of East Nashville, where we were staying. Built between 1907 and 1909, it was closed to automobile traffic in 1998 and restored for pedestrian use, providing outstanding views of the river and and downtown skyline.

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It is such a civilising thing that I only wished more cities followed suit and enhanced the pedestrian experience this way. Of course, traffic congestion renders it a difficult proposition.

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As the sun resolved to retire for the night, our thoughts turned to dinner. From the moment we saw it, we had planned to eat at Blake Shelton’s Ole Red bar before we left town. Previous attempts had been rebutted due to long lines, but we had timed it perfectly this time, and were escorted to the first floor dining room where we had an excellent table overlooking the stage.

Unsurprisingly, one of Blake’s proteges on The Voice USA, was performing at the time. Zach Seabaugh had been a semi-finalist on the show at the age of 16 in 2015, and it was not difficult to understand why. With the voice of someone twice his age and an authoritative picking style, he is undoubtedly a talent.

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The food was standard bar and grill fare. My sandwich was massive but tasty, so much so that I took the unusual, but so American, course of ordering a “box” to take away. With an early start in the morning, and a three hundred mile drive to St Louis, it would double up as breakfast.

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Ever since we arrived, Janet had wanted to have a drink on one of the rooftop bars on Broadway. After a couple of failed attempts to find a seat, we settled down atop the especially lively Nudie’s Honky Tonk. Although it was Monday evening, the  street was buzzing with activity in all directions.

It gave us the perfect excuse too for one final look at the fascinating “Batman” building.

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As we contemplated calling the Uber for our return to the bungalow, there was still one issue to be resolved.

The cowboy boots!

I had spent the entire stay dipping in and out of boot (and hat) stores, agonising over whether I could justify the outlay for the pairs I took a liking too. The hand stitched (in Mexico) pair that I had been most attracted to were $329 (£253), which I felt might be too expensive.

Eventually, in Boot Country, I found another, admittedly plainer, pair that I liked, which were only $199. I felt less guilty about that.

But wait!

It was buy one pair, get two free!

A touch over £50 per pair!

I was particularly take with a grey/blue pair, intended for a special occasion, and a brown version of the same for everyday wear.

The only remaining conundrum was finding Janet a pair! After all, I couldn’t be so greedy as to have all three pairs.

After much trying on and soul searching, she eventually found a pair that suited her.

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Janet, I and three bags of boots scrambled into our Uber and headed back to East Nashville before we spent any more.

After a slow start, Nashville had completely won us over. The only disappointment had been that we hadn’t visited the Grand Ole Opry or some of the attractions and bars beyond the downtown area.

Ah well, we will just have to return for a longer trip in the future!

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