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Posts Tagged ‘Grateful Dead’


Back on the road today.

Jazz, blues, zydeco, rock ‘n’ roll, soul, funk – we had experienced them all in the first ten days of the trip, And we had travelled in a south-north direction, driving or, on occasions, skirting Highway 61.

But now, we were not only switching the musical focus to country, but taking a two hundred and ten mile detour eastward to Nashville.

We left our East Memphis house on a warm, partly cloudy morning with the temperature gauge in the car already touching ninety. Once we had settled onto Interstate 40, our companion for the journey, the traffic lightened and the straight roads with forested trees either side that we had become accustomed to in recent days, resumed their natural position.

We filled the car with gas for the second time on the trip, taking the cost so far to $56 (we had picked it up in New Orleans with a full tank, and we’re required to return it in the same state i..e. full, not in Louisiana).

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As we approached Jackson, the first town of any real significance, and were looking for an attraction to break the journey (we were nearly half way), we came across Casey Jones Village which marketed itself as the “best whistle stop between Memphis and Nashville” and officially one of Tennessee’s top 10 travel attractions.

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The extensive complex contained an Old Country Store, a restaurant, nostalgic gift shoppe, an 1890’s Ice Cream Parlor & Fudge Shoppe, the Dixie Cafe Takeout or Dine-In, a village baker’s, a village chapel and many other features.

In addition, it was home to the Casey Jones Home & Railroad Museum, which commemorated the legendary railroader who worked for the Illinois Central Railroad, and who was killed on 30th April 1900, when his train collided with a stalled freight train near Vaughan Mississippi. His spectacular death while trying to stop his train and save the lives of his passengers made him a national hero.

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He was subsequently immortalised in a popular ballad sung by his friend Wallace Saunders, an African American engine wiper for the railroad. It had first come to my attention when, as a small boy in the late fifties several thousand miles away, I sat spellbound by the television programme starring Alan Hale Jnr.

Around fifteen years later I learned a different account of the incident from rock band, the Grateful Dead, with the drug-riddled refrain “driving that train, high on cocaine, Casey Jones you’d better watch your speed”.

I still prefer that version!

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John Luther Jones was particularly famous for the manner in which he tooted his train whistle on “Old 382” Engine. Visitors can climb aboard the replica inn the museum and perform that act themselves.

At the time of his death, Jones was living in the house pictured below, which we were also able to explore.

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We spent a pleasant hour walking around the village, but, even though it was lunchtime by now, the food on offer in the restaurant was not to our liking.

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We returned to the road in pursuit of coffee and eats. But we were not hungry enough to be tempted by the regular sight of roadkill.

Our salvation, not for the first or last time on the trip, proved to be………yes, you guessed it, McDonald’s (we were to eat here more often in a fortnight than we had in thirty years),

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We encountered more traffic, especially trucks, on this stretch than we had done before, though the fact that the road had only two lanes, and it was Friday afternoon, might have contributed to that.

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Another phenomenon that occurred to us for the first time today were the strong “southern” accents of everyone we came into contact with.

At the risk of offending (I don’t mean to) Tennesseans, the intonation was reminiscent of the British comedian, Benny Hill’s, character on his television show in the seventies and eighties, when he performed a sketch about ‘teddy bear’s chair”. I can never hear a southern accent without recollecting that performance.

But then if any American is upset by this, I will just mention three words………….Dick Van Dyke.

You know what I mean, y’all.

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As Nashville got closer, the traffic, especially, got much heavier. But we safely negotiated it and located our artist’s bungalow in East Nashville, booked through Airbnb,  without difficulty.

We were staying in a variety of different properties on the trip. Starting off in a classy hotel in New Orleans, we had spent the subsequent nights on the road in modest motels before residing in a suburban house in Memphis. We were living for the next four nights in a bungalow in the back garden, next to the garage, of our hosts’ family home.

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It was clear on our arrival that some of the home comforts we had enjoyed in New Orleans and Memphis in particular would not be available to us in our temporary Nashville home.

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Our only cooking facilities, for example, were a kettle and basic microwave, as well as a refrigerator. We drove to the local supermarket to buy some basic provisions, including potatoes, salad, cheese, ham and avocado that made up a presentable jacket potato.

And, our spirits were not going to be quashed. Tomorrow, we would begin to investigate the home of country music.

And it would be my birthday!

 

 

 

 

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Although we had already spent four nights in Louisiana, the road trip only began in earnest on Saturday morning as we queued up for our booked hire car at Louis Armstrong New Orleans International Airport. I say “queued” because that is what we had invariably been obliged to do on most occasions in the past.

But not this morning.

The most extraordinary thing about the rapid transaction was that we weren’t offered an upgrade from our standard SUV (which we were more than happy with anyway).

We were on the I-10 heading towards our halfway pit stop in Baton Rouge within minutes under a leaden sky.

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And yes, we were Texans for the next two weeks!

After the customary familiarisation with the car’s controls, it was time for the all important search for the Grateful Dead Channel on Sirius XM. It took a while, but once we had safely negotiated our way through all the Hip Hop, Sports and Christian channels, not to mention right wing”shock jocks, we were able to “settle down easy” with our favourite station.

We had not had breakfast, so planned on finding a roadside eatery between New Orleans and Louisiana. That was easier said than done. We left the road at at La Place and Gramercy Lutcher to follow the signs to the “services”, but on both occasions found ourselves driving several miles with no Subway or McDonald’s in sight!

We did, however, pop into the Gatorville Cajun Village which boasted several exhibits and stores dedicated to……well, you guessed it, Cajun culture. There was an attractive looking restaurant which offered breakfast, but the line to even sign up, let alone get in, was too long.

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Eventually, at Donaldsville, we pulled outside McDonald’s.

Now, this is where I insert rule number one about taking a road trip. You are only allowed to eat cheap, “rubbish” food. No more of them fancy oyster things, or crawfish, or even jambalaya, but proper “rubbish” food.

Egg McMuffins and coffee were the order of the day, and although they were smaller, disappearing in a couple of bites, than i recall from when I last had one in the previous century, they “filled a hole”.

And, boy, was it cheap. Whereas, with tip, we had spent $80 on breakfast in Brennan’s in new Orleans the previous morning, We had been impressed too with the standalone digital ordering screens that greeted us. Our meal was, however, deliver by a member of the human race, and a pleasant one at that.

We arrived in Baton Rouge, the state capital, at lunchtime and were astonished to find so few people about the streets. Of those that were wandering aimlessly about, most were wearing either Ole Miss Rebels or LSU Tigers football colours. They were due to take up arms against each other that evening (they had a long wait). For the record, the home team, LSU, won convincingly 45-16, so perhaps Baton Rouge came alive then.

But it was clearly an important city as it had not one, but two, state capital buildings. The Old State Capital below was certainly the more architecturally appealing.

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The absence of traffic as well as people made it all the easier for us to take a stroll around the riverfront and downtown areas. Janet did, however, come across a couple of old timers who willingly posed for a photo with her and their pride and joy.

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Baking heat and unforgiving pavements made the amble around the Spanish Town more arduous than it might have been, but there were some beautiful homes to drool over.

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With Halloween at the end of the month, we were increasingly coming across houses decorated for the occasion.

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We left tranquil Baton Rouge for Lafayette in western Louisiana, arriving half an hour before the scheduled check in of 3pm.

We had selected Lafayette over Baton Rouge as our first overnight stop because the town is regarded as the place of pilgrimage for lovers of Cajun and Zydeco music, a raucous fusion of blues, rhythm and blues and African-derived styles which makes much use of fiddle and accordion.

And remember, this whole trip was about the music.

In particular, the Blue Moon Saloon and Guest House, a few hundred yards from our hotel, is renowned throughout the world as the best venue to witness live music in this style. It is also a youth hostel, described by its owners as “a home-grown honky-tonk where all kinds and sizes are welcome”.

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With tonight’s gig at the Blue Moon not scheduled to start until 9pm, we were not planning to eat until around 7.30pm. So, as Pooh would have so eloquently put it, it was “time for a little something”.

One southern “delicacy” that we had still not sampled was a Po’ boy, a traditional sandwich from Louisiana. Given their size, it would have been uncharacteristically greedy had we consumed a full one, so I plumped for a half-sized version of the Crawfish Boil Sausage Po’ boy.

Delicious.

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We ate at the Sainte Marie restaurant, where we shared another popular dish of the region, fried green tomatoes (with shrimps), which, needless to say, we’re scrumptious. I followed up with crawfish étouffée, a thick soup-like dish with rice. Not only was the food outstanding, but our young server, Taylor, kept us enthralled with her energy and attentiveness,

And now to the reason why we were in Lafayette – the music at the Blue Moon.

After paying our $10 cover charge, we took up our seats on a back bench (the place is essentially a shack), and ordered our drinks. Everyone there was drinking out of plastic glasses, but for some reason, the barman, rather conspiratorially, explained to me that I could have a real glass for Janet’s gin and tonic, provided she “looked after it all evening and didn’t break it”. A whiff of that voodoo atmosphere we encountered in New Orleans returned to haunt me.

The music was great, though the second band did not come on stage until nearly midnight. And the evening wasn’t wholly satisfactory.

It appeared that the event was being used as an excuse for a school or college reunion, as a large group of twenty somethings appeared more interested in catching up with each other, and doing a lot of hugging, than engaging with the music.

And I could write another piece on the personal and sexual politics that were being played out before our eyes while we tried to peer over their heads to see the bands!

But it was an experience.

 

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Continuing the theme of following recommendations from friends who had visited New Orleans before, we took breakfast on our final full day in town at the legendary Brennan’s restaurant on Royal Street. It had undergone a huge renovation in 2014 and been restored to its former 1940s glory.

And a delightful experience it was. Southern hospitality was taken to a new level as we were greeted and served by what was described as a “team” of servers, all of whom could not do enough for us. Moreover, they were dazzled by the details of our road trip.

Although you might not have guessed it from his appearance (a smart suit took the place of a tie-dye shirt), the Maitre D’ was a Deadhead and had seen many of the Dead and Company concerts on their recent summer tour. We agreed that whilst John Mayer was not Jerry Garcia, he was a great interpreter of the music and an amazing blues guitarist.

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The beautiful decor and attentive service were matched by the outstanding food (I had a delicious eggs benedict) and the best coffee we had drunk so far.

As we walked back towards Canal Street we stumbled across the Magnolia Praline Company premises, a vibrant and enticing emporium selling hot sauces and pralines. The murals that adorned the walls were as entertaining as the samples of their produce were mouthwatering.

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We were so enamoured of the hot sauce samples that I posted a photograph of a couple of bottles on Facebook. This led to an order from a restaurant owner in our hometown of Folkestone! Whilst I was only too pleased to buy the two bottles, I did wonder how many t-shirts I would not now be able to purchase because of the increase in weight of our baggage on our return home (only joking, Fiona!).

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But enough of food (for now at least).

The primary objective of the day was to ride the three main streetcar lines, both to experience this quaint and old-fashioned mode of travel (we love riding the cars in San Francisco), and to see other parts of the city at little cost and without wearing ourselves out.

We purchased our “Jazzy Passes” (what a great name) for the exorbitant (sic) cost of $3 each for the day and boarded the Canal Street car bound for City Park.

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Given that they tend to move in a sedate fashion, streetcars nowadays are viewed more as tourist attractions than a way of getting quickly from A to B. But they are redolent of a slower, more graceful age.

They also invariably provide the theatre for some of both the most humorous and unpleasant examples of human behaviour. Our streetcar was no exception as an elderly man contrived to fall through one of the seats, necessitating a visit from a clearly disgruntled driver who insisted, on putting it back together herself.

The fact that New Orleans is technically below sea level, and that deep digging is not permitted in some areas, people are usually buried above ground rather than below. A visit to the city would not, therefore, be complete without a visit to one of the extraordinary cemeteries found throughout.

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The Canal Street car brought us to the Cypress Grove cemetery which we wandered around for an hour. The images here are just a sample of the many stunning tombs, large and small, that inhabited the park. Unfortunately, the spectacular St Louis cemetery appeared to be closed.

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On our return to the city, we had an iced coffee in Starbuck’s in the Sheraton hotel lobby before searching for the nearest St Charles Streetcar which would transport us to the Garden District.

Unlike the Canal Street cars, which ran every couple of minutes, it was immediately apparent that this was a more infrequent service. It was twenty minutes before we were able to board, along with around thirty other people. Fortunately, we managed to get seats. With each succeeding stop, more passengers got on, rendering it a slow and uncomfortable journey to Washington Avenue when we squeezed ourselves through the hordes to get off.

We had had our fill of cemeteries for one day, so decided to walk back to our hotel (a punishing journey in the heat) rather than pay a visit to the famous Lafayette Cemetery that lay in front of us.

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The Garden District, which was developed in 1832 on the Livaudais Plantation, extends over much of the city and was founded by the settlers who built houses and commercial properties here.  Wealthy bankers, merchants and planters built grand mansions surrounding by luxuriant gardens.

As we strolled along this avenue of extravagance and opulence, I could not help feeling a pang of uneasiness that these gorgeous buildings had been in many cases created by slave labour. It would not be the first or last time that this response would, if only momentarily, overcome me on this trip.

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After packing we went out again at 7pm, intending to take the Riverfront Streetcar to the French Quarter. The drizzle that had characterised much of our stay in New Orleans had returned to annoy us again. At least we managed to get under cover for the twenty minute wait for our car.

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And then, as we approached Toulouse Street, only half way on our journey, the driver informed us that, due to some filming going up ahead, we would have to leave the streetcar.

We had planned to eat at the House of Blues on Bourbon Street, but en route we passed, or rather didn’t pass, BB King’s Blues Club, which had been another friend’s recommendation.

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We arrived shortly before the first band ended their set. We sat upstairs with a passable view of the stage as the second band entertained us with a mix of soul and funk. Catfish and shrimp, accompanied by two cocktails, was our final and tasty meal in New Orleans.

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Our first visit to the city was now effectively over. Whilst we had crammed as much was we could into our three days and four nights, there was still much to see and experience. Most great cities need at least a week even to begin to embrace their heart and soul.

We will be back!

But for now, the road beckoned!

 

 

 

 

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We arrived in New Orleans in mid-afternoon after a smooth internal flight on United Airlines from Newark, New Jersey.

On crossing the threshold of the Cambria Hotel on Tchoupitoulas Street in the increasingly upmarket Warehouse District, I was thrilled to discover in the entrance corridor a series of fifteen wooden slatted artworks celebrating many of the great bluesmen and jazz musicians of the Delta and beyond. I will confine the photographs to three of my particular favourites.

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They are the work of Connie Kittok, a Louisiana contemporary folk artist inspired by her Southern roots. Coincidentally, or perhaps serendipitously, the entire collection is entitled Road Tripping: a journey to discover the heart of the blues. The thirteen year wait between our original plan to take this trip and actually making it suddenly seemed worth it.

An incredible collage of immaculately polished jazz instruments also adorned another wall adjacent to reception.

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We decided to unpack and get dressed to ignore the rain and have dinner early.

We were staying less than fifteen minutes walk from the French Quarter, and wanted to experience Bourbon Street at first hand. After forgetting momentarily that I was not in San Francisco when I bought a Grateful Dead bandanna at the Hippie Gypsy store on Canal Street, and then elegantly dodging a streetcar after looking the wrong way, we ventured into the fabled thoroughfare.

Even though it was still early in the evening, there was a boozy and boisterous buzz about the street.

We walked as much as possible beneath the balconies, from which there was a distinct lack of falling bead necklaces (Mardi Gras was, of course, still months away). There was a considerable amount of noisy and unsightly construction underway. At regular intervals, young children were sitting on the kerb drumming on upturned buckets with astonishing rhythm and dexterity. We were confronted on several occasions by drunks attempting to foist beads on us before demanding money, but we managed to deflect their tiresome attentions.

As this was our first visit to the Big Easy, we were determined to try as many of the  essential NOLA dining experiences as possible. Given that we were in the heart of the French Quarter, it was incumbent upon us to begin our exploration with a Hurricane cocktail (rum, passion fruit syrup and lime juice with an orange slice and cherry garnish) at its original home, Pat O’Brien’s.

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We had drunk many in the past at various Margaritaville and Hard Rock locations, but this was where it was first served. It was no less powerful than what we had become accustomed to, even though we declined the signature glass option. We sat at the bar and chatted with the big bearded barman before stepping out to select our dinner venue.

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We had already been struck from the outside by the appearance and enticing menu of the award winning Red Fish Grill, and decided to eat there. We were not disappointed. A handsome and attractive dining room and pleasant staff complemented superb seafood. My Cajun Jambalaya Risotto in particular was divine.

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The persistent drizzle failed to dampen the spirits of the early evening revellers. Live music spilled out of most of the bars – a cacophony of jazz, blues, hard rock and even country as an inevitable accompaniment to bull riding. With an abundance of choice available, we plumped for the Famous Door, a legendary live music venue where the excellent band ran the gamut of seventies and eighties American rock music – from Jackson Browne and Carole King to Foreigner and Guns ‘n’ Roses.

By this time the potency of the Hurricane, upon which by now we had piled cocktails and double gin and tonics, was beginning to take its advertised and insidious effect. I am convinced, however, that the periodic movement, as if across a ouija board, of our (plastic) glasses was not solely attributable to our mushrooming inebriation. After all, we were in the home of voodoo with many haunted locations close by, so it should be no real surprise that glasses should be sashaying around the table. In an even spookier twist, they stopped abruptly at the table’s edge, thankfully, saving us from having to order another, ultimately lethal, round.

Two flights, of eight and three hours duration respectively in the space of twenty four hours, combined with the alcohol, were beginning to take their toll and we returned, a little unsteadily, to our hotel.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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One of these days I might manage to walk past this place.

But it’s not likely to be anytime soon.

For a start, you can’t miss it. The attractive magenta, cyan and yellow (you can tell I use Epson printer cartridges) frontage in itself will cause all but the most rushed tourist or day tripper to stop momentarily, smile and ponder whether they should while away an hour inside.

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Ready for the Big Switch On!

The huge picture window of the upper (magenta) level of this independent coffee house near the top of the Old High Street in Folkestone allows that unsuspecting passer by to peer more closely at the interior, and marvel at the walls crammed with books of all ages and sizes. They will also observe the VIPs among the clientele who have snagged the settee and armchair in that window. Despite the fact that many complain that they feel in a goldfish bowl once they are ensconced there, they are never in a hurry to vacate the space, and when they do, there is always a civilised clamour to assume residency.

And after all, it is the best people watching spot in Folkestone!

The scholarly feel continues when you place your order with the welcoming staff. You become temporary custodian of part of the book collection with a number on the cover to identify your order, a twist on the ubiquitous wooden spoon. This morning I am handed a copy of The Faithless Lover and other Poems by Leonard Ley – no intended reflection, I’m sure, on my character, but, nonetheless, I shall move swiftly on.

I take my seat at the small table behind the settee. This is the best place to write as it provides an element of privacy and just enough space for laptop, phone, coffee and plate. And there is a tasteful lamp for reading purposes and the beautiful double-sided screen made exclusively for Steep Street by Zimbabwean born local artist Thurle Wright to stare at for inspiration and worth the visit alone – perfect.

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Beautiful centrepiece

I await my ethnically sourced cappuccino and brie, parmesan and tomato quiche, just one scrumptious item on a menu that includes the most luscious cakes as well as tasty paninis, salads and sandwiches, all  prepared, baked and cooked on the premises. There are plenty of vegan options too.

I spot a small girl, maybe three years old, dressed head to toe in pink, hurtling excitedly down the cobbled hill, while her frantic father strains to grasp her hand before she rolls down into the harbour. Should he fail, I am at least reassured that it is low tide at the moment.

Civilised, animated conversation is another attractive feature of life at Steep Street, and today is no different as it reverberates around the split level layout. Leonard Cohen’s untimely death, announced earlier this morning, vies with Trump, Brexit and the imminent new series of I’m a Celebrity Get Me Out of Here (I made this last one up) as the main topics of discourse. All is calm and unhurried. Even the background music (Paul Simon as I write this) is soulful and unobtrusive.

A bedraggled mutt (I think he must have been for an early morning dip in the Pent Stream) sidles up to me and engages in a couple of minutes’ foreplay that entails the licking of hands and coyly turning its head away when I try to stroke it, before settling at my feet and catching the crumbs of my quiche as they – accidentally on purpose – escape from my plate.

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Gates of Paradise!

Spotting the Grateful Dead lightning bolt and teddy bear stickers on my laptop, his owner begins to reminisce (as far as he can remember) about his involvement with the Deadhead community in the U.S. in the eighties. This leads to a conversation about his attempts to bring traditional Irish music to the town. We debate the respective merits as venues of the Leas Cliff Hall, with whom he already has a meeting arranged, and the Quarterhouse on Tontine Street. I assure him that there is an audience within Kent and recommend the latter as the more appropriate (and crucially smaller) venue.

On his departure, his place at the adjoining table is taken by the Member of Parliament for Folkestone and Hythe, Damian Collins, whom I had only come across the previous day at the Folkestone Jobs Fair. I introduce myself as one of his new constituents and exchange a few words about the recently launched business hub on West Terrace.

As a fellow devotee of Steep Street the man clearly has some taste, and his campaigning for Remain in the EU Referendum endears him to me still further.

But I wouldn’t vote for him.

A young couple with extensive facial piercings sit at the corner table and extract their laptops from their satchels, rendering the upper level a scene from an Apple interns’ breakout room. Or at least it would if Mr Collins, and especially I, didn’t double the average age.

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A great study space

As I stand and rummage in my trouser pockets for £2.60 for another cappuccino, one of the young women serving behind the counter informs me (and the customers around me) that the man that I had been talking to previously had, on leaving the cafe, paid for a large drink for me. I am delighted and humbled by the gesture, or at least I would be if I weren’t so darn embarrassed too.

The charming owners, Stephen and Alice, are committed supporters of the upcoming Folkestone Book Festival, sponsoring illustration, flash fiction and “short and tweet” competitions, as well as publishing a magazine containing the best five entries in each category. During the event itself, they are hosting creative writing and poetry workshops. In many ways they will be the epicentre of the entire festival.

Steep Street’s reputation as literary linchpin of a town increasingly defined by its artistic offering (the next internationally celebrated Triennial is scheduled for next year), is enhanced by the provision of “blackboard” tables upon which customers, primarily, but not exclusively of the milkshake rather than flat white persuasion, can chalk their own artworks.

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A rare opportunity to nab the best people watching seats!

The same pink-spattered child observed earlier had thankfully avoided a watery, or rather muddy, grave following her hair raising downhill run on the cobbles, courtesy of a relieved Daddy carrying her back up the hill. In celebration, she tips the tumbler of coloured crayons on the table and sets to work.

Witnessing the resulting, naturally pink (or is it magenta?), Christmas tree exposes my own artistic shortcomings and I resolve to offer to pay a surcharge next time I’m obliged to sit at that table. My signature art piece since the age of three, and still serving me well / ill (delete as appropriate) are matchstick men and women wearing top hats, and in the case of the latter, the additional, creative touch of equilateral triangle shaped skirts.

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My book is in there somewhere!

The self-styled Folkestone Poet stands stoically in his accustomed spot outside the Big Boys Fine Burger Co. restaurant directly opposite Steep Street. His sales technique entails whispering to passers by while waving three copies of his verse collections gently in the air, hardly likely to secure him a retail job, but quietly appropriate for his role in the town’s life . Most of those who stop tend to smile sheepishly and scurry off without making a purchase, deterred by a combination of price and content, but I find his work refreshingly direct, full of gallows humour and the most idiosyncratic spelling. And there are occasional flashes of heart rending poignancy.

My incipient bromance with Damian Collins attains a new level of intimacy as he buys a copy, though a cynical fellow patron speculates loudly whether he will claim the £3 back on his parliamentary expenses.

Oh ye of little faith.

But he could be right.

Regardless, I think he’s a “top bloke”.

But I still wouldn’t vote for him.

After two large cappuccinos and a (small) bottle of Pinot Grigio, I resolve to take advantage of the fast improving weather outside and drag myself away. My decision is rendered even  easier by the arrival of three young mothers with babies and associated paraphernalia who pounce on the settee / armchair combination in the window vacated by an elderly couple and begin to spread out.

It may be a long time before those coveted seats become available again.

Stephen and Alice

My final duty is to adjudicate among two middle aged ladies who cannot decide which of the enticing cakes adorning the counter they should indulge in. After some discussion about the relative merits of the blueberry vanilla sponge and raspberry and chocolate cake, they take my advice and plump for the lemon cheesecake, which, judging by the moaning and smacking of lips I hear as I open the door to leave, has been one of my better decisions.

If you live in or near Folkestone, are a young mum, aspiring writer or lady that lunches (other socio-economic groups are available), and have not tottered down the Old High Street in the past year, you are missing a treat.

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I first met Martin at the T20 Quarter-Final between Leicestershire and Kent at Grace Road in 2011. This was to be the venue for the inaugural meeting of the Kent Reform Group whose stated aims were to bring greater transparency and accountability to the county club than was felt to be evident at the time.

I arrived first and parked myself at an empty table in the corner of the bar. I was shortly followed by Graham Holland, senior civil servant, former Mayor and prospective Kent County Cricket Club committee member. Graham and I exchanged pleasantries over a glass of sauvignon blanc while we awaited the arrival of the other two core members of the group.

After a quarter of an hour, the double doors swung open to reveal a tall, imposing figure dressed in a green and blue striped blazer with matching tie on a salmon coloured shirt, red slacks, scrubbed brown brogues and a boater sporting the black and Kentish grey colours of the Band of Brothers Cricket Club. He carried over his shoulder a faded brown leather satchel that looked at any moment about to spill its hefty contents. A crumpled packet of cigarettes protruded from the top pocket of the blazer. The only thing that would have completed this curiously Western scene (the meagre population of the bar to a man and woman had turned in his direction), would have been for the stranger to brandish a brace of six shooters from his hip.

Martin Moseling was in the building!

Graham introduced us and we got down to business, though not before Martin had dropped the satchel to the floor and sent the first of what seemed dozens of text messages to the fourth member of the group who had decided at the last minute to remain in Kent.

Throughout that ultimately depressing afternoon, in which Kent contrived to throw away a winning position in intermittent drizzle, he paced up and down replaying every boundary and dismissal by text with the absent colleague watching the game on TV back in his Wealden retreat.

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We met occasionally at cricket over the next twelve months, standing and chatting aimlessly on the Old Dover Road banking or in the Chiesman pavilion for hours on end, only partly conscious of the performance of the “flannelled fools” out in the middle. With that heavy, faded satchel still hanging from one shoulder, Martin would hold court, offering a wealth of historical and technical insights on the game while a growing audience of his peers nodded sagely in response.

It became clear that, despite our political and social differences – he revered Margaret Thatcher and was at home at hunt balls, whereas my political hero was Dennis Skinner and I was more comfortable in tie-dye at a Grateful Dead concert – we still had a lot in common, notably a mutual affection for Kent cricketing history and the “Golden Age” immediately before the Great War in particular. But there was something else we shared, an ambition that had been unfulfilled for more than half a century – that of writing at least one book and getting it published.

But the 2012 season ended and we went our separate ways.

Until, on one dank, dismal December morning, he rang me to ask whether I was interested in writing a book with him on Kent’s 1913 County Championship winning side to commemorate the upcoming centenary. My response – something along the lines of “yeah, why not” – was hardly enthusiastic, but enough for us to spend the next hour scoping out structure, style and themes. We were off and running before my customary eleven o’clock coffee break.

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What had we let ourselves in for? It is difficult enough to write a book on one’s own, but to do it with someone else whom they still barely knew and who lived a hundred and twenty miles away, and had, as we soon discovered, a different writing style, would surely be impossible. But, having agreed a workable division of labour at the outset, we spent the next six months working separately on different chapters and sending drafts to each other before picking up the telephone and painstakingly working through every letter and punctuation mark. We didn’t always see eye to eye, of course – he was over fond of words like “rather” and “somewhat” and I drove him to distraction with my obsession with punctuation – but the system worked.

We spoke many times a day. Martin invariably initiated the discussions, telephoning to urge me to peruse a new draft chapter or an alteration in the design that he had been working on during the night while I was asleep! In fact, he often rang at the most inconvenient times, either just before I was leaving the house or about to cook my wife’s dinner. It became a standing joke between us, rather like the one my wife and I shared when we listened to our daily answerphone messages and heard the immortal phrase “hello Tony, it’s Martin, give me a call”.

We met only three times over that period, twice when I travelled down to the Cotswolds for a couple of days each time and when we made a joint visit to the MCC library at Lord’s from which we witnessed a spectacular snow blizzard envelopping the hallowed ground. I also visited the principal libraries around the county to research the newspapers of the day. This provided us with a great deal of reportage to supplement the official scorecards for each game that were available on the Cricinfo website. But the feature of the published book that received the most plaudits were the contemporary photographs, many of which had not seen the light of day since that fateful final full season before the Great War, that he had sourced from both his own impressive collection and other publications. His contacts in the game, not least in his adopted county of Gloucestershire, provided many priceless images too.  

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Had he not been so persistent, we may never have finished the book. I am eternally grateful to him for not only coming up with the idea but motivating me along the way when my natural indolence took hold (and I like to think I did the same for him).

With the demise of the Kent Reform Group in early 2012, it was clear that the county club was not going to trust offers of assistance or criticism from individuals or members’ groups for the foreseeable future. However, by quiet diplomacy and patient relationship building, Martin was able to extract a number of concessions over the next three years, for example in overturning a ban on fans bringing even a modest amount of alcohol into the grounds for forty over games.

His legacy, however, will be the pivotal role he played in the establishment of the Kent Cricket Heritage Trust. Firstly, virtually single-handedly, he persuaded the Club of the value of creating a trust to protect and promote its proud heritage, and then drove through the implementation. His stunning timeline of the Great War which was displayed in the Chiesman Pavilion during the 2014 Canterbury Week, and the photographic montages of two historic run chases against Gloucestershire and Lancashire, were praised widely. Both were produced at his own expense. He also gave of his own time in keeping a watching eye on cricket auctions around the country, identifying items that the Club might be interested in purchasing.

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The fact that the Kent Cricket Heritage Trust is now established, and there are visible signs around the ground of its work, notably the new display cases in the Chiesman Pavilion, is largely attributable to Martin.

Any doubts that the Club might not have fully appreciated his contribution were quickly dispelled when they flew the official flag (white horse on red background) at half mast at the St Lawrence Ground on the day following his death. I cannot recall this being done for someone who neither played in the first XI (and oh how he wished he could have), nor served on the committee before. Martin would have been humbled and hugely proud of such a gesture.

As testimonials since his untimely passing have illustrated, he was admired and respected for his detailed knowledge of cricketing history, especially during the era covered by A-Half Forgotten Triumph. 

He had a patrician but nonetheless kindly demeanour which gave his utterances on the game an almost Swanton-like character, an impression reinforced by a build that resembled in later years that of the former journalist and president of the county club.

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As “Kentish Exile” he was prolific and authoritative. It was his opinion that many of his fellow posters looked for first on all cricketing issues for a combination of insider understanding and common sense. His style was measured, urbane and often sprayed with references and quotes from history, literature and music. It was this that led one wag from Chatham on the Old Dover Road seating at Canterbury one afternoon to declaim:

That Kentish Exile, ‘e’s a bit upmarket ‘e is.

Martin’s reaction to this statement when I relayed it to him that evening was a customary chuckle. I think he was rather flattered.

Despite his achievements – he was a fine horseman, golfer and guitar player, amongst other talents I may not have discovered in the short time I knew him, in addition to being a good enough cricketer to play not only for the MCC for many years, but also the Band of Brothers, Cross Arrows and a variety of teams in Gloucestershire – he was essentially a modest man. Few of his cricketing acquaintances will be aware that he maintained a blog – entitled A Cricket Sort of Chap: A sideways look at all kinds of cricket but especially the cricket of Kent – in which he brought his wit, wisdom and experience to bear on cricketing issues as diverse as being taken to the Bat and Ball Ground in Gravesend as a small boy by his father, the history of round arm bowling and a series of articles on Kevin Pieterson. I urged him constantly to notify his fellow Kent followers when he had published a new piece, but he preferred to manage it for his own amusement.

I’m afraid I’ve now let the cat out of the bag, but I’m sure he would forgive me as the articles are as good examples of cricket writing as you would find anywhere today,  and cry out to be be read by a wider audience.

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We had spoken of collaborating again in the future and mulled over the worth of writing reappraisals of the life and career of three of the most influential figures of Kent cricket – Frank Woolley, Les Ames and Lord Harris. But I wanted to take a break from cricket writing, not sharing his all-consuming passion for the sport. Before his illness cruelly began to affect his capacity to concentrate, he was working on a book about James Seymour, one of the powerful top order in Kent’s first period of glory. During the writing of our book he had met with the Seymour family who had kindly made a voluminous scrapbook of cuttings, photographs and scorecards available to him. He spoke enthusiastically too of writing a book about the seasons in which Kent finished second in the County Championship (of which there are too many).

On the all too rare days that we watched Kent play together (Martin tended, understandably, to visit the Midlands away grounds more than Kent), he was invariably accompanied by his beloved flat coated retriever, Bear, who he had had for nearly nine years (“the best friend I could ever want”). Bear sadly died in February of last year when Martin wrote “I do not know what I will do without him”. Shortly after, however, he acquired Bear’s nephew, Alfie, and was still in the process of breaking him in and preparing to introduce him to the world of cricket in the near future.

He was immensely proud of his son and daughter, and the successful careers they had carved out for each other, and despite the rapid deterioration in his health, it must have been a joyous occasion to have Emma and Mark and his grandchildren all together at his home.

It is difficult to know how to finish this piece other than to say that I accounted him a friend, not only for his rich well of cricketing anecdotes and knowledge, but also for his wise counsel (something others commented upon in the days following his death). He was not just “a cricket sort of chap”, but someone whose intelligence, humour and understanding ranged across every imaginable subject. He even helped me to make (some) sense of the San Francisco rental market!

But I’ll leave the final words to the man himself:

I have become resigned to the fact that Kent cricket was always in my blood. Although the past few years have been endlessly frustrating, they have also been rewarding. Friendships made within cricket are necessarily transitory but they are enduring. I have re-established contact with people I played with and against 30/40 years ago and I have made new friends. The really great thing about it is that those friends share my love of the greatest game of all – cricket and, in particular, the love of the cricket of the county of Kent.

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I blame it, of course, on Scott McKenzie.

And Alan Whicker.

Now I trust that many readers, notably those of a certain age and transatlantic disposition, will recall that Scott McKenzie was the singer who advised the world in 1967 that, if they were going to San Francisco, they should “be sure to wear some flowers in their hair”. That song alone had a searing impact on an impressionable fourteen year old boy living five and a half thousand miles away.

But Alan Whicker?

In appearance, with his English grammar school upbringing, clipped accent, Saville Row suit, slicked back hair, thick-set glasses and brisk moustache, he was the antithesis of the young people flocking to the Haight-Ashbury neighbourhood at the time.

Whicker was an English journalist and broadcaster who forged a career spanning nearly sixty years until his death in 2013. His finest work was Whicker’s World which he presented for thirty years, travelling the world and commenting in an inimitable ironic fashion on society, and interviewing many prominent figures of the time, including the Sultan of Brunei, reputedly the richest man in the world at the time, the Haitian dictator, “Papa Doc” Duvalier and numerous high profile actors and aristocrats.

His stiff upper-lip style made him the affectionate butt of many comedians, none more memorably than the Monty Python team who delivered a sketch entitled Whicker’s Island, in which a succession of Whickers would walk on and off the screen uttering in his customary hushed tones, the catchphrase “here on Whicker’s Island”.

On 9th September 1967, the day that Big Brother and the Holding Company and the Byrds headlined at the Family Dog and Fillmore Auditorium, two of the emerging and competing concert venues in San Francisco,  Whicker broadcast a programme on the BBC entitled Love Generation. The episode was groundbreaking not least for the fact that it showed scenes of drug taking, despite the corporation’s “horror” of the practice, for the first time on British television, notably in 710 Ashbury, the Grateful Dead house (Phil Lesh and Bob Weir figured prominently). In the light of the recent Mick Jagger drug bust, it was put out very late at night. Among the individuals invited to expound their hippie ideals, emerging music promoter, Chet Helms, outlined his plans for taking music and light show “happenings” to London.

It was an incisive, literate and surprisingly sympathetic piece in which Whicker spoke over footage of the large influx of youth who had hitchhiked from every state to “Hashbury”:

In the States, pot is going middle class and spreading like prohibition liquor as more and more citizens   get zonked out of their minds. The drug culture enters the blood stream of American life. Like it or not, we’re living in the stoned age.

Later he was to lament that the:

Summer of Love was a short outburst of happiness that lasted only a few months. When I returned a year later the flowers and the innocence had died.

I was, like the thousands of young people that sought escape from the drabness of middle America, inspired by the message of “tune in, turn on, drop out”, though I hadn’t the means of joining the tribes.

The broadcast also gave my first experience of the Grateful Dead in performance with a beardless Jerry Garcia taking the lead on the Golden Road (to Unlimited Devotion). A song title was never more apt.

News bulletins featured scenes of Gray Line tour buses crawling down Haight Street with bemused middle aged, provincial passengers staring at the carnival on the street.

And then there was Scott McKenzie.

Another character with a splendid upper lip growth, it was his song, full title San Francisco (Be Sure to Wear Some Flowers in Your Hair), which topped the charts in the UK but not (quite) the US, that so enthralled that fourteen year old boy in what was, despite the emergence of “swinging London”, still a monochrome etched country.

I took to decorating my Beatle mop with an occasional fresh daisy or buttercup. I commandeered my mother’s chocolate and purple paisley print blouse to wear to the home games of my local football team, guaranteeing that I would be bullied as mercilessly on a Saturday afternoon on the terraces as I was already being five days a week at school.

But I didn’t care.

I was a hippie.

My home grown musical diet of the Beatles, Rolling Stones, Kinks and a dozen other pop groups began to be supplemented by the weird, thrilling sounds of San Francisco. But it would still be another three years before I could get my hands on the music of the  Dead, Jefferson Airplane and Quicksilver Messenger Service (thank you Keith Mason wherever you are), and before I could justifiably claim to be aboard the bus – the magic, not tourist, version.

During those same three years, I became increasingly fascinated by American culture and society. My political awakening was borne more out of opposition to the Vietnam War and support for the blacks in the Deep South, and students at Berkeley and Kent State than with the Rhodesian question or devaluation of the pound in Britain. I chose American history as one of my “A levels” at school and later studied American literature at university.

Underpinning all this was the music – my adoration for the San Franciscan bands was extended to embrace the country and folk rock idioms of Joni Mitchell, Neil Young, the Eagles and, of course, Dylan. I devoured every American film I could, especially those with a counter cultural bias like Easy Rider, Two-Lane Blacktop and Alice’s Restaurant, and read George Jackson, Angela Carter and Tom Wolfe.

Those enthusiasms have endured to this day, though it would take me another quarter of a century before I first gazed adoringly on the Golden Gate Bridge or strolled down the street that had been the epicentre of my cultural life for so long.

But that is another story.

To finish, another of those siren songs that sucked me into a San Francisco state of mind.

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