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Posts Tagged ‘English Channel’


That staple of coastal living,
The pre-dawn chorus
Of ducks and gulls,
Of pigeons and crows,
And a single menacing magpie,
Echoes across a misty Radnor Park.

Untimely ripped from a fractured slumber,
I prepare for my morning ritual
Of checking if the sea is still there
And that this is not all a dream.

Caught in a leaf storm along Castle Hill Avenue
Joni in my ears telling me
She doesn’t know where she stands,
And there it is, that ever, never changing view!
Dunkirk and Dungeness
Wink from across the water.

The Leas is rife with life this morning
Walkers, joggers, mobility scooters,
Teenagers with learning difficulties
On escorted pilgrimages around town,
From each and every one
A “good morning” or “isn’t it beautiful?”.

This is such a friendly town.

Vacant, whispering benches
Call out across the century,
Remembrance of courage and sacrifice
That allow me to wallow
In this stunning spectacle today.

As the sun begins to burn,
Parched dogs yank at leads
And stop to lap at the cool water
Filling the empty margarine boxes
Left outside the Leas Cliff Hall.

Below, on windswept Mermaid Beach,
Young children sprint into the sea,
Mindless of the pebble and shingle
That scrape and bruise their fragile feet;
But soon they head for the refuge of towels,
New victims of the unforgiving Channel chill.

Across town, on the old, cobbled street,
Where art and cake have usurped rock,
A triumvirate of weary sprucers,
Unheralded heroes of this dirty old town,
Trudge past the The Quarter Masters store
Trailing bags of indeterminate bulk.

Young men, slaves to their primal needs,
Cajole reluctant wives and girlfriends
Into lunch at Big Boys Burger;
Buggies resignedly hauled over the threshhold
Wake the sleeping child within,
Soon to shatter the peace of other diners

At the foot of the winding hill,
Gleeful children squeal with ecstasy
As the newly repaired fountains,
Wedged between pub and seafood stall,
Erupt in thrilling power shower.

Gulls squawk and squabble
Over the crab and seafood remnants
Lobbed periodically from Chummy’s staff,
Before resuming their ablutions
In inner harbour pools
Left by the receding tide.

A single gull plants itself on a table behind Bob’s
And pleads silently for a bite of my crab sandwich,
Or the family’s chips on the next bench;
A staring contest ensues as I begin to eat,
Not daring to avert my eyes for one second.

I try to rationalise with my insistent guest,
Explaining that feeding it would be cruel
But it seems unconvinced
And resumes its glare.

As I finish the last mouthful and fold the wrapping
It flaps its wings and screeches its disappointment,
Before scooting perilously past my left ear
In pursuit of more sympathetic diners.

On Sunny Sands, oblivious of mermaid stare
Dogs scamper breathlessly after balls
Hurled by owners, equally relieved
At their release from summer banishment.

I head for Steep Street,
Swiftly become my second home,
To capture this all in print;
Renewed self-confidence, even nerve
To write this down and share with you,
Another thing to thank Folkestone for,
Or is that blame?

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The pace and commotion of modern life renders it all the more crucial that we grasp those increasingly infrequent opportunities to draw breath and rest awhile.

Where I would take issue with the Welsh poet, W.H. Davies, who asked what is this life if full of care / we have no time to stand and stare is that sitting works just as well.

And where better to do it than on a bench in the fresh air?

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We are so accustomed to lounging on a sofa, whether it be at home, watching mindless television, or in a coffee shop, spending money we haven’t got and aggravating our caffeine levels. Why not do the same in the great outdoors?

One answer might be that the provision of facilities to do that is not always plentiful.

But we cannot claim that excuse in Folkestone.

The town is blessed with more than its fair share, especially on the lovely Leas, once dubbed indisputably the finest marine promenade in the world,  where there are exactly one hundred wooden benches between the Step Short Arch and the Metropole Steps (seventy three alone between the Bandstand and the further of the large hotels (now apartments)). I would be surprised to learn if any other coastal resort had as many.

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So, what has sitting on a bench ever done for us?

Let me count the ways.

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To “rest our legs”.

To pause and just breathe.

To think or meditate.

To be quiet and let time pass.

To eat lunch.

To read a book or newspaper (ok, or a tablet/phone).

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To admire the view (and what a view!).

To watch the world go by.

To “people watch”.

To “sun bathe”.

To escape from conflict (at work or at home).

To grieve over disappointment or heartache.

To explore first love (within “reason” of course!).

Or a combination of any of the above.

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And then there are less conventional reasons:

To drink or take drugs.

To “hide” with a lover.

To beg from passers by.

I am sure you can think of others (conventional or otherwise).

The value placed on the view afforded by benches is no better illustrated than on the plaques that grieving families have had affixed to commemorate the lives of loved ones who have passed away.

Arguably, these benches are a more life-affirming tribute than a concrete slab in a crematorium, though they have their place too, of course.

Benches are a visible and practical demonstration of a bygone age in a hectic world. Celebratory and consolatory in equal measure.

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And, as we have seen above, they can serve so many purposes that nothing else can quite deliver.

Whilst this post has focused on the wooden benches that festoon the Leas, especially at the West End, there are others at the eastern end that sit beneath the Step Short Arch and speak movingly of Folkestone’s critical role in war.

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I may not have picked the best weather (at least in Folkestone) in which to urge readers who live within reasonable travelling distance of The Leas to rush outside and “take a pew” in the outdoors.

But wherever you may be, try to take whatever opportunity you can to “sit and stare”. Aside from improving your mental wellbeing, you might just finish that book.

Or at least your lunch.

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I am proposing to run twice, possibly thrice, weekly walking tours of Folkestone next summer (May to September 2017).

There are many practical considerations, including health and safety, marketing and potential licensing, that need to be addressed in the opening weeks of the New Year, but the crucial issue is the integrity of the tour itinerary itself.

Below are my initial thoughts on what route to take, and the issues to highlight at each stop and during the walk itself.

Currently, I envisage the tour lasting no longer than two hours.

These are still early thoughts and are subject to change. Being still a relative newbie, there is a distinct possibility that I may have missed something. This is where long term residents of Folkestone and others who have, like myself, come to love the town, can help me in fine tuning the details. I would be extremely grateful for their input and support.

I intend to finalise this by the end of February, allowing two months to work up the detailed commentary and supporting material.

I am extremely grateful for your assistance in this. Don’t feel you need to be gentle with me!

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Start: By the Earth Peace sign in front of The Grand Hotel on The Leas

Stop 1: The Grand Hotel
a. outline of tour – duration – route – stops – toilets – refreshments – approach to questions
b. history of The Leas and Folkestone as a holiday destination – English & French coast highlights
c. history of The Grand, including rivalry with The Metropole & links to royalty

d. introduction to Folkestone Triennial & Folkestone Artworks, specifically Earth Peace (Yoko Ono)

Walk 1: Along The Leas, passing the View Hotel, Ruth Ewan (clock) and Mark Ballinger’s (Folk Stones) artworks & talking benches

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Stop 2: Leas Cliff Hall 
a. history – construction – programme
b. William Harvey statue

Walk 2: Along The Leas passing the Leas Pavilion Theatre and the Leas Lift

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Stop 3: Step Short Arch
a. Folkestone’s role in war
b. construction
c. War Memorial
d. poppies

Walk 3: Down the Road of Remembrance

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Stop 4: Harbour Station / Harbour Arm entrance
a. role of trains bringing soldiers/holidaymakers
b. history of ferry / hovercraft services
c. Hamish Fulton’s metal sign
d. Grand Burstin Hotel
e. regeneration plans

Walk 4: Along the Harbour Arm, taking in views of the Harbour 

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Stop 5: Lighthouse on Harbour Arm

a. history
b. Weather is a Third to Place and Time artwork
c. Champagne Bar

Walk 5: Back along Harbour Arm and towards Harbour

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Stop 6: Harbour
a. fish market
b. history of fishing c/f activity today
c. seafood stalls
d. Rocksalt

Walk 6: Along The Stade to Sunny Sands

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Stop 7: Sunny Sands
a. beach & Coronation Parade
b. views to France, Harbour Arm, East Cliff, Dover Strait, the Warren & Samphire Hoe
c. Folkestone Mermaid (Cornelia Parker)

Walk 7: Back along The Stade and across to Creative Quarter entrance


Stop 8: The Old High Street
a. history
b. role of Creative Quarter
c. Quarterhouse

Walk 8: Up the Old High Street and onto The Bayle, highlighting galleries, restaurants and coffee shops

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Stop 9: The Bayle
a. history
b. Parade Steps
c. Shangri-La
d. British Lion
e. pond – child’s mitten (Tracey Emin)

Walk 9: Around The Bayle into Church Street

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Stop 10: Church of St Mary and St Eanswythe
a. history of christianity in Folkestone
b. life & sainthood of St Eanswythe

Walk 10: Through churchyard and along The Leas towards the Leas Lift

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Stop 11: Leas Lift
a. history – construction – importance
b. take lift down to Marine Parade

Walk 11: Along Marine Parade to entrance of Lower Leas Coastal Park


Stop 12: Lower Leas Coastal Park
a. background, construction & awards
b. Fun Zone
c. Amphitheatre
d. Adam Chodzko’s Pyramid

Walk 12: Through Lower Leas Coastal Park to beginning of Zigzag Path

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Stop 13: Zigzag Path
a. history

Walk 13: Up the Zigzag Path and along The Leas to The Grand Hotel

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Stop 14: The Grand Hotel
Finish by the Earth Peace sign in front of The Grand Hotel on The Leas

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If ever I need a respite from the hubbub of Folkestone town centre, there is no better area to take cover in than The Bayle. Bordering the Harbour via the Parade Steps, the Creative Quarter by Bayle Street and Sandgate Road at the end of pretty Church Street, it provides a welcome haven of peace and quiet.

Just off the beaten track, it is largely undiscovered by all but locals.

Today, I am accessing it from the recently refurbished Parade Steps that run from Harbour Street, alongside Gillespies bar at the True Briton.

Folkestone has more than its share of crippling paths and stairways, not least the Metropole Steps and Zigzag Path that link the main beach from The Leas, but the hundred or more steps that need to be negotiated here match the most difficult. Their saving grace is that they do afford the intrepid climber fantastic views of the harbour and the Channel beyond when, as is essential, they pause for a breather at each level.

At the top you encounter not only Shangri-La, now discredited as a wartime German spy centre, but also fine multi-occupancy buildings like Blue Diamond House on Bayle Street.

Eschewing the Bail Steps, that lead back down to the Old High Street, I turn left at the friendly Guildhall pub onto The Bayle itself.  Within a hundred yards I come across the Bayle Pond Gardens, lovingly maintained by the residents’ association.

The pond is home to another of the Folkestone Artworks found scattered around the town. One of Tracey Emin’s collection of “baby things”, a bedraggled, brightly coloured mitten, is attached to the railings that encase the pond.

Properties, a mix of attractive brick and weatherboarded cottages and modern apartment blocks, are sought after and, as this recent house hunter can attest, relatively expensive.

Moreover, the significance of this part of town was recognised when number 5 Bayle Street was chosen to launch the fabulous Folkestone Living Advent Calendar programme on 1st December last and, fifteen days later, the Dance Easy / Folkestone Yoga studio at number 19 took its turn in the festivities.

In addition to the already mentioned Guildhall pub, this compact area also boasts Folkestone’s oldest watering hole, the British Lion, reputedly built no later than 1500, and Charles Dickens’s local when he stayed at nearby 3, Albion Villas.

Recovered remains from archaeological digs have revealed that the area was occupied in the late Iron Age and Roman periods, but it was not until the seventh century AD that Folkestone gained its most celebrated citizen.

The daughter of King Eadbald, St. Eanswythe, an intelligent, wilful and devout young woman, rejected numerous Anglo-Saxon suitors and opted for the religious life by establishing a small nunnery and dedicating herself and other women to prayer and service of the poor. On her death in 640, her tomb became the object of prayer and pilgrimage and her relics were sought after and venerated. She was made a saint almost immediately.

Standing between bare winter trees and amidst battered headstones, the current Church of St Mary and St Eanswythe, built upon a twelfth century original, is a lovely, tranquil space.

There are several routes in and out of the churchyard. My personal favourite is to walk through the internal gate, along the path (which starts on Priory Gardens) back to the War Memorial, taking in glorious views of the Channel above the rooftops of Marine Parade.

I’ll leave my favourite rock band (again) to encapsulate how I feel about The Bayle:

Don’t tell me this town ain’t got no heart

You just gotta poke around.

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The Cote d’Opale might as well be a thousand miles away on a night like this.

It is a calm, quiet evening after a dank, dreary December day. The sky and sea present an ashen canvass. It is difficult to tell where one ends and the other starts. Spencer Finch’s The Colour of Water, the artwork that requires people, by looking through a narrow aperture, to match the colour of the sea with one of a hundred variants of shade placed around the perimeter of a large wheel, is set firmly in the grey quadrant.

Despite the slimy conditions underfoot, I choose to descend from the well-lit comfort of the Leas to the bleak seashore via the Metropole Steps rather than the Zigzag Path, deducing that the strain on my knees and calves will be less that way.

There is barely a whisper from the waves tonight. The overwhelming flatness of the scene has deterred the customary photographic shooting party from assembling to capture the final, ferocious blaze of orange and gold of the sun over Sandgate shore. Anyone hoping to catch tonight’s projected meteor shower will be sadly disappointed. Even the moon, a mere twenty four hours from full term, doesn’t appear bothered to turn up.

Neither do I hear Matthew Arnold’s “grating roar of pebbles which the waves draw back”,  so imperceptible is nature’s refrain this evening. Aleppo, Trump, Yemen, Brexit all drift from my consciousness, at least for a short hour. I am at peace, and am reminded of  Nathan Coley’s Talking Heads inspired sign on Tontine Street that “ heaven is a place where nothing ever happens”.

Because nothing is happening tonight in this little speck of paradise.

But then everything is happening.

Across the bay, the lighthouse on the Harbour Arm blinks through the gloom. The sixteenth century Out of Tune bell, rescued from a church in Leicestershire, hangs suspended above the area where once the rotunda, boating lake, swimming pool and fairground rides, thrilled generations of children.

A dalmatian puppy snuffles among the seaweed encrusted pebbles on the shoreline, while its impatient owner punctures the peace with impassioned and fruitless entreaties to it to accompany her back to the refuge of her Range Rover parked at the foot of the Leas Lift.

A discarded, empty tuna mayonnaise sandwich pack flutters in the breathless breeze in the midst of Folkestone’s own modest version of Stonehenge or Avebury. If, as seems likely, the stillness of tonight’s air fails to dislodge it, I am reassured that a town sprucer will probably complete the job in the morning.

A lone fisherman has set out his stall for what appears to be a long night ahead. It reminds me of all night sessions on the Dungeness shingle with my uncle half a century ago. I wonder now why I ever went. I was never interested in fishing. I don’t even recall experiencing the elation of catching much either. Perhaps it was the thrill of spending a night away from home on a beach with a nuclear power station looming over me that lured me.

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I stroll along the curved seawall that separates the two main parts of the beach, squinting at the six wooden, weirdly shaped seats donated by the Dutch government, and reach the imposing rock groyne. It would be foolhardy this evening to venture out onto this mini-Giants Causeway as some do during the daylight in low tide.

Debate rages on social media as to whether the shape of the groynes that branch out in opposite directions from the beach represent a mermaid, gull, whale or even the Royal Air Force crest. I will not fuel the dispute here, other than to offer the diplomatic suggestion that there is a case to be made for all of them. Whichever it might be, it is a fine sight by day when viewed from the Leas.

Pastel hued beach chalets are now padlocked up for the winter and the Mermaids Cafe Bar, welcome pit stop on the long promenade between Folkestone and its western coastal neighbours of Sandgate, Seabrook and Hythe, is now open on fine weekends only. Tonight, it is dark in contrast to the newly renovated View Hotel beaming benignly down upon it. The hotel’s Cliffe Restaurant, which, in only a few months, has earned a deserved reputation for fine dining and excellent service, will, in contrast, already be busy with office Christmas parties.

I return to the Leas via the lovely Zigzag Path, a walk rendered all the more atmospheric as I weave through its alcoves and tunnels, by its resemblance to those of a Greek island. All that is missing, thankfully, are the maltreated donkeys.

I defy anyone to deny that they enjoy a warm summer’s day by the sea. After all, as the popular expression goes, life’s a beach. And I look forward to the first full summer in my coastal home next year.

However, it is moments like this when enjoyment is a hopelessly inadequate word to describe the impact of this magical place on me. I think I will attempt to define that more fully on another occasion, but, for now, I can only equate it to love in all its manifestations.

Once in a while you get shown the light in the strangest of places if you look at it right is one of my favourite quotes, and is never more relevant than in relation to my feelings for Folkestone. Who would have thought that fifty three years ago, when four adults and three children aged between eight and ten years plus luggage, miraculously emerged from my mother’s Ford Anglia, to cram into that bed and breakfast in Foord Road, that not only would I make this my home all these years later but would instantly become enraptured by the place all over again?

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No fey fairy tale figure this Folkestone maid

But mature, full-bodied, strong and wise

Rooted firmly on the East Cliff rocks

Staring intently out on Channel skies.

Some try to clothe her in pity, some in fun

Hats, bikinis, scarves, have all adorned her form

But she is perfect as she is – broad, naked, deep

Impervious to pounding waves and winter storm.

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Her hair forever drenched from tidal spray

Slicked back and sweeping down along her spine

Her lusty feet replace the mermaid’s tail

Resist and spurn the bitter lapping brine.

To the dogs released from summer servitude

On Sunny Sands she’s just another stone

Their ball might bounce upon from owner’s throw

Or where they can relieve themselves alone.

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A bare six summers has she settled there

Yet it seems to have been so many more

As if she’d witnessed history’s changing tides

Declining fish trade and the road to war.

When packet steam trains trundled down the hill

Into the harbour station and France bound ships

When English tommy first tasted foreign food

Snails, mussels, garlic, frites instead of chips.

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I trudge across still slippery lower rocks

To reach the stone she’s made her coastal home

And sit at her feet to see what she might see

While thwarting tourists with their camera phones.

Could she be looking to France or Belgium’s shore?

But rather her gaze looks upwards to the sky

As if in thanks this piece of Heaven should be

Where Cornelia Parker chose that she should lie.

Oblivious to the sights and sounds around

The squawk of seagulls or wave smashed shores

Mindless of games that gleeful children play

Upon the drying beach when tide withdraws.

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Unheeding of the dirt and noise of building sites

Coronation Parade and Harbour Arm are now

She sits serene, majestic ‘midst the rush

A friend and confidant to all that vow.

Margate may have its Turner,  Blackpool its Tower

Brighton its i360, St Ive’s its Tate

But none sing of the sea like our Folkestone girl

Stately and brave at England’s coastal gate.

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I rise from the rocks with wave washed, creaking knees

While hers are as fresh and smooth as first she came

Two hours have passed since I joined her on that rock

A better use of time I could never dare to claim.

Two ferries cross each other in Dover’s strait

As the sun slides down over a silvery sea

Over her shoulder through darkening clouds

The coast of France gleams and bids bonne nuit.

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A fanciful proposition?

Maybe.

Probably.

After all, there are no breathtaking bridges (unless you count the Foord Road railway viaduct), no crippling hills (no, not even the Old High Street), no $40 million properties (how much IS the Grand worth?) and no former high security prisons once claimed for Indian land sitting off the shore in Kent’s garden resort.

But, having spent a lot of time in San Francisco over the past twenty years, and written extensively about it in the past five years, I believe there are enough similarities to entitle me to suggest that it has more in common with my childhood playground, and now home, of Folkestone than one might at first think. The only differences are ones of scale and international repute.

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Before I plunge into this pool of fantasy, a brief disclaimer.

The only photographs included in this piece are those of Folkestone – for a variety of reasons: 1) Many people will already be familiar with some of the sights I refer to in San Francisco; 2) If they don’t, there are probably millions of images and billions of words on the internet to fill them in, and 3) I have posted hundreds of images elsewhere on this blog and I’d be delighted if you were inspired to go hunting for them!

Back to the proposition.

Firstly, they are both marine ports with world famous stretches of water/land on their doorstep (the Golden Gate and the White Cliffs of Dover) as well as glorious bay/sea views in all directions and weathers.

The boats in Folkestone’s pretty harbour hardly match up to the million dollar vessels you will find docked in Sausalito or Tiburon across San Francisco Bay. But the scene has a timeless charm that is endlessly captivating, whether at high or low tide.

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Both places teeter on the edge of their nation. Folkestone, with its proximity to mainland Europe, cemented by the opening of the Channel Tunnel in 1994, has long vied with neighbouring Dover for the title of “Gateway to England” (personally, I think it’s a draw), while San Francisco is on the seismically challenged tip of a vast continent.

And because of that position, they have both served as major embarcation points for their nation’s military in time of war. In the 1914-18 conflict, it is estimated that as many as eight million soldiers marched down Folkestone’s Road of Remembrance to the Harbour Station en route to the fields of Flanders and France, while in the Second World War, more than a million and a half soldiers left for the Pacific conflict from San Francisco and its neighbour on the other side of the Bay Bridge, Oakland.

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“The City” (as (we) San Franciscans call it) is consistently placed high (invariably first) on culinary surveys. The Foodie Capital of the U.S.A is no idle boast. Folkestone may not have attained that elevated status (for a start it’s not in the U.S.A. but you know what I mean), but a number of fine cafes and restaurants have sprouted in the town in recent years, a visible and tasty manifestation of the regeneration, courtesy in no small part to the beneficence of Sir Roger de Haan.

Rocksalt, the seafood restaurant perched alongside the small railway bridge that separates the inner from outer harbour, has recently been named the thirtieth best in the U.K and Googies has been adjudged Restaurant of the Year in the 2016 Taste of Kent Awards.

There are a number of other quality restaurants (Copper and Spices, Blooms @1/4 and Follies are personal favourites), both in the town and dotted along the recently reopened Harbour Arm, capped by the lovely Champagne Bar at the foot of the lighthouse.

And one can’t forget, this being a seaside resort, that there are many establishments serving up fish and chips (not forgetting the mushy peas, white bread and butter and mug of tea).

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Coffee culture is strong too – many shops provide coffee and cake in addition to their primary products – and there is a distinct hipster vibe about Folkestone that mirrors – on a smaller scale of course – the atmosphere in neighbourhoods like the Mission, Cole Valley and Potrero Hill on the “left coast” of America.

Any self-respecting coastal resort would not be complete without its harbourside seafood stalls selling freshly caught crab and lobster as well as cockles, whelks and prawns. Bob’s, Chummy’s and La’s are all well established and popular purveyors of the denizens of the sea. A Fisherman’s Wharf in miniature you might argue.

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Home to Jack London and Dashiel Hammett, the Beat poets and the Summer of Love, inspiration for the WPA and Mission muralists, San Francisco has always had a reputation for being a town for artists, writers and musicians. After all, it provides a gorgeous natural canvas upon which to create. However, one of the consequences of astronomical rents in recent years has been to drive many artists out of the city.

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In contrast, Folkestone’s star as an arts venue of international repute is rising. Every three years – the next is in 2017 – it becomes host to a prestigious arts festival (Triennial), where artists are permitted free rein about town to create public artworks (there are already twenty seven pieces on display by luminaries like Yoko Ono and Tracey Emin).

This is the most high profile manifestation of a burgeoning arts scene centred on the Creative Quarter where galleries and performance space adorn the once run down Old High Street and Tontine Street. Indeed, it is the arts that has been the fulcrum of the regeneration that has become the envy of other coastal resorts around the UK (which, admittedly, have not had the benefit of a sugar daddy like de Haan.

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The City by the Bay is renowned for its year round cavalcade of neighbourhood and city wide festivals and fairs celebrating its cherished devotion to diversity, including Pride, the Haight Ashbury Street Fair, North Beach Festival, Hardly Strictly Bluegrass and Folsom Street Fair.

In contrast, Folkestone’s admittedly more modest, but nonetheless impressive, calendar of annual events, notably Charivari, the Harbour Festival, Leas Village Fete, Armed Forces DaySkabour and the Folkestone Book Festival among many others.

I cannot resist including a pet (not literally) subject of mine – gulls.

Both places boast a feisty, ravenous population, hardly surprising given their coastal position, but these, reflecting their human compatriots in each town, are genuine “characters”. The giant seagull artwork, now serving on Folkestone’s Harbour Arm as an unconventional tourist information kiosk, has become an unofficial poster boy (or is that gull?) for the town. But generally, so far, I’ve found the local birdlife noisy but reasonably friendly, especially when I cross Radnor Park of a morning when they waddle up to greet me (but don’t let me get too close).

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The same cannot be said for those that begin to circle San Francisco’s (base) ball park during the late innings of a Giants game in anticipation of feasting on leftover garlic fries. Fans remaining until the end of evening games have to have their wits about them.

There is one aspect of San Francisco life that I would not want to see replicated in Folkestone. San Francisco rents and the broader cost of living are the highest in the States, due largely to the influx of tech workers from Google, Facebook and Oracle to name but a few.

Now, the Alkham Valley doesn’t have quite the same cudos as Silicon Valley (pretty as it is – Alkham not Silicon), but there are other forces at play – improved accessibility to London through the high speed rail link, continued development and gentrification and relatively cheap house prices (for now) – that increase the risk of Folkestone becoming a town split between affluent “transplants” and residents who cannot afford to live in the place they were born and brought up in.

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There is a more substantial analysis called for here, and I may attempt it in due course. Moreover, there are other issues I might have explored – dogs and drinking spring to mind (that’s not about the bowls left outside the Leas Cliff Hall for the delectation of our canine colleagues but rather two very distinct subjects).

But, for now, there is certainly one further similarity between the two places that I must mention – I left my heart in both, in Folkestone as a ten year old gleefully gambolling (not gambling) in the rotunda and in 1995 on a fateful West Coast tour of the U.S.A.

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