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Posts Tagged ‘Cornelia Parker’


I am proposing to run twice, possibly thrice, weekly walking tours of Folkestone next summer (May to September 2017).

There are many practical considerations, including health and safety, marketing and potential licensing, that need to be addressed in the opening weeks of the New Year, but the crucial issue is the integrity of the tour itinerary itself.

Below are my initial thoughts on what route to take, and the issues to highlight at each stop and during the walk itself.

Currently, I envisage the tour lasting no longer than two hours.

These are still early thoughts and are subject to change. Being still a relative newbie, there is a distinct possibility that I may have missed something. This is where long term residents of Folkestone and others who have, like myself, come to love the town, can help me in fine tuning the details. I would be extremely grateful for their input and support.

I intend to finalise this by the end of February, allowing two months to work up the detailed commentary and supporting material.

I am extremely grateful for your assistance in this. Don’t feel you need to be gentle with me!

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Start: By the Earth Peace sign in front of The Grand Hotel on The Leas

Stop 1: The Grand Hotel
a. outline of tour – duration – route – stops – toilets – refreshments – approach to questions
b. history of The Leas and Folkestone as a holiday destination – English & French coast highlights
c. history of The Grand, including rivalry with The Metropole & links to royalty

d. introduction to Folkestone Triennial & Folkestone Artworks, specifically Earth Peace (Yoko Ono)

Walk 1: Along The Leas, passing the View Hotel, Ruth Ewan (clock) and Mark Ballinger’s (Folk Stones) artworks & talking benches

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Stop 2: Leas Cliff Hall 
a. history – construction – programme
b. William Harvey statue

Walk 2: Along The Leas passing the Leas Pavilion Theatre and the Leas Lift

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Stop 3: Step Short Arch
a. Folkestone’s role in war
b. construction
c. War Memorial
d. poppies

Walk 3: Down the Road of Remembrance

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Stop 4: Harbour Station / Harbour Arm entrance
a. role of trains bringing soldiers/holidaymakers
b. history of ferry / hovercraft services
c. Hamish Fulton’s metal sign
d. Grand Burstin Hotel
e. regeneration plans

Walk 4: Along the Harbour Arm, taking in views of the Harbour 

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Stop 5: Lighthouse on Harbour Arm

a. history
b. Weather is a Third to Place and Time artwork
c. Champagne Bar

Walk 5: Back along Harbour Arm and towards Harbour

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Stop 6: Harbour
a. fish market
b. history of fishing c/f activity today
c. seafood stalls
d. Rocksalt

Walk 6: Along The Stade to Sunny Sands

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Stop 7: Sunny Sands
a. beach & Coronation Parade
b. views to France, Harbour Arm, East Cliff, Dover Strait, the Warren & Samphire Hoe
c. Folkestone Mermaid (Cornelia Parker)

Walk 7: Back along The Stade and across to Creative Quarter entrance


Stop 8: The Old High Street
a. history
b. role of Creative Quarter
c. Quarterhouse

Walk 8: Up the Old High Street and onto The Bayle, highlighting galleries, restaurants and coffee shops

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Stop 9: The Bayle
a. history
b. Parade Steps
c. Shangri-La
d. British Lion
e. pond – child’s mitten (Tracey Emin)

Walk 9: Around The Bayle into Church Street

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Stop 10: Church of St Mary and St Eanswythe
a. history of christianity in Folkestone
b. life & sainthood of St Eanswythe

Walk 10: Through churchyard and along The Leas towards the Leas Lift

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Stop 11: Leas Lift
a. history – construction – importance
b. take lift down to Marine Parade

Walk 11: Along Marine Parade to entrance of Lower Leas Coastal Park


Stop 12: Lower Leas Coastal Park
a. background, construction & awards
b. Fun Zone
c. Amphitheatre
d. Adam Chodzko’s Pyramid

Walk 12: Through Lower Leas Coastal Park to beginning of Zigzag Path

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Stop 13: Zigzag Path
a. history

Walk 13: Up the Zigzag Path and along The Leas to The Grand Hotel

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Stop 14: The Grand Hotel
Finish by the Earth Peace sign in front of The Grand Hotel on The Leas

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No fey fairy tale figure this Folkestone maid

But mature, full-bodied, strong and wise

Rooted firmly on the East Cliff rocks

Staring intently out on Channel skies.

Some try to clothe her in pity, some in fun

Hats, bikinis, scarves, have all adorned her form

But she is perfect as she is – broad, naked, deep

Impervious to pounding waves and winter storm.

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Her hair forever drenched from tidal spray

Slicked back and sweeping down along her spine

Her lusty feet replace the mermaid’s tail

Resist and spurn the bitter lapping brine.

To the dogs released from summer servitude

On Sunny Sands she’s just another stone

Their ball might bounce upon from owner’s throw

Or where they can relieve themselves alone.

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A bare six summers has she settled there

Yet it seems to have been so many more

As if she’d witnessed history’s changing tides

Declining fish trade and the road to war.

When packet steam trains trundled down the hill

Into the harbour station and France bound ships

When English tommy first tasted foreign food

Snails, mussels, garlic, frites instead of chips.

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I trudge across still slippery lower rocks

To reach the stone she’s made her coastal home

And sit at her feet to see what she might see

While thwarting tourists with their camera phones.

Could she be looking to France or Belgium’s shore?

But rather her gaze looks upwards to the sky

As if in thanks this piece of Heaven should be

Where Cornelia Parker chose that she should lie.

Oblivious to the sights and sounds around

The squawk of seagulls or wave smashed shores

Mindless of games that gleeful children play

Upon the drying beach when tide withdraws.

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Unheeding of the dirt and noise of building sites

Coronation Parade and Harbour Arm are now

She sits serene, majestic ‘midst the rush

A friend and confidant to all that vow.

Margate may have its Turner,  Blackpool its Tower

Brighton its i360, St Ive’s its Tate

But none sing of the sea like our Folkestone girl

Stately and brave at England’s coastal gate.

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I rise from the rocks with wave washed, creaking knees

While hers are as fresh and smooth as first she came

Two hours have passed since I joined her on that rock

A better use of time I could never dare to claim.

Two ferries cross each other in Dover’s strait

As the sun slides down over a silvery sea

Over her shoulder through darkening clouds

The coast of France gleams and bids bonne nuit.

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